I'm still trying to wrap my head around how we ended up hosting our kid's Olympics at the Ilya Glazunov Gallery. I used to get weird looks from people when I'd mention it, but now I get why.
I wouldn't recommend taking most kids here, especially if they're easily spooked. The artwork is intense, to say the least.
Address
13 Volkhonka Street
Hours of Operation are standard museum hours. They're closed on Mondays, but the Glazunov Gallery is open from 11 am to 7 pm from Tuesday to Thursday, and until 9 pm on Thursdays. Before you go, I'd recommend checking if the museum is participating in any special events or promotions.We ended up visiting on a day when admission was free, and let's just say it was a chaotic experience. I was actually relieved to have bought tickets in advance, even if they did go to waste. I wasn't about to stand in line in the cold.
We finally made it to the museum on our third attempt, and I have to say, I was blown away. The sheer scale of the place, the massive paintings that left us speechless – it was a bit overwhelming, to be honest.
The ticket price was 350 rubles, and kids get in free with a Moscow pass. I opted for the combined ticket for the gallery and the Museum of Social Hierarchy, which set me back 700 rubles.
The Museum of Social Hierarchy is actually located right next to the gallery, so we decided to check it out while we were there.
We visited on a Saturday afternoon, and as we approached the entrance, we couldn't help but wonder where all the school kids and cadets were. It was like we'd stumbled into a different world.
We weren't just here for the museum's kids' olympiad – my daughter's also a huge fan of art galleries. She'd been eyeing the estate's photos, and I was curious to see how it looked in real life.
I have to admit, I stumbled upon this place because of the legend about Nikita, the guy who thought he could fly like a bird or a demon, as his fellow countrymen probably thought.
According to the story, Nikita flew off a wooden wing from a church steeple during Ivan the Terrible's reign. He was deemed possessed by demons, cursed, and burned at the stake. I knew Ilya Glazunov had painted a picture called 'Russian Icarus,' and I really wanted to see it in person. I didn't bother asking the curators where it was, and I stumbled upon it by chance.
I mean, Nikita's eyes are so expressive that even without seeing the painting at first, you turn around to look at him because it feels like he's staring right at you. Those huge, captivating eyes are full of confidence and conviction, believing in their own dream. It's like, 'I'm going to fly to the heavens on my super wings, and if you don't like it, you can just throw my ashes to the pigs.' He's completely sure of himself.
My daughter thought it was Jesus.
But if I'm being honest, I preferred Deyneka's 'Nikita - the First Russian Aviator' more. It's like a news photo, capturing the essence of the scene better and creating a more immersive atmosphere. On the other hand, it doesn't convey Nikita's emotions as well. It would be awesome to display both paintings together.
The interior design is just incredible. It instantly makes me think of Alice in Wonderland and Twin Peaks. The walls are a vibrant, bold color, the chandeliers are huge, and the columns and checkerboard tile add to the overall vibe.
The artwork, on the other hand, is overwhelming.
When you walk into the rooms, it's like you're crashing into these massive canvases. If you get too close, you start to feel like you're part of the artwork itself, and you're trying to figure out what's going on.Some people might think the artwork is too intense for kids because of the nudity, but I'd worry more about the paintings that are just soaked in sadness and pain. The giant eyes that seem to be staring right through you and into your soul are what really get to me.
I've always thought that the most disturbing things that hurt us should be the ones that really cut deep and make us feel something. But I'm not so sure about that. I mean, do we really need art like Kusaki and Mu-mu that makes kids and adults cry for weeks and leave them with a lingering sense of discomfort that stays with them for life? I think empathy is either there or it's not. And for people who are naturally more sensitive, encountering something like this can be like an emotional earthquake that takes a long time to recover from.
Every adult has their own painful experiences and memories, and these paintings just stir up something raw and uncomfortable that makes me think of my own painful moments.
There are plenty of artworks out there that I just want to look away from, and even catching a glimpse of them out of the corner of my eye is enough to make me feel uneasy.
It's just not my cup of tea.
Luckily, the olympiad questions here aren't for preschoolers, but for older kids. So, you can come here with the MPU olympiad from 5th grade, but for 5th graders, it's all just too confusing and overwhelming.
I'm glad Glazunov didn't just write about those tough, earthy pieces. There were paintings that felt like a breath of fresh air. I wanted to stand next to them and not look anywhere else.
It's hard to appreciate paintings that are hung on the floors rather than in the galleries, since there's not enough space. I wanted to step back and have more air between me and the painting, but there's nowhere to go. Because of this, it's almost impossible to walk past something you don't want to look at.
My daughter was really taken by the painting of Tsarevich Dmitry's death. I saw it a few times. Actually, it didn't grab me online, but when you literally bump into it with your eyes in the gallery, you can't help but stop and look. In person, there's a sense of flight. It feels like the tsarevich is flying off the tower and looking at you with his dead eyes.
Naturally, I couldn't leave my daughter's question unanswered, so I had to tell her about the tsarevich. Although I wasn't in the mood for stories before we went.
Considering the overwhelming exhibition, I just told my daughter she could go where she pleased and look at whatever she liked. She could move from gallery to gallery as she pleased.
I have to say, I was blown away by the gallery of Ivanov's works, and I ended up liking it way more than the Museum of Estates. I thought for sure I'd find it more interesting there, but nope!
It was there that I discovered just how fascinating many of his paintings are to explore.
There are some really unique pieces, like the ones that incorporate actual fabric, beads, and wood.I was particularly fond of the tightrope walker and the firebird, and my daughter fell in love with The Unknown Woman in a veil hat.
She was so smitten that she immediately ran off to the souvenir shop and bought herself a notebook with the same design.
Check out the tightrope walker. The painting is really dark, almost ominous. But for some reason, it gives me that magical feeling you get when you're sitting in the circus, looking up at the acrobats balancing on that thin wire that looks like a single strand of hair.
Now, let's talk about our favorite souvenirs. The little shop has super friendly and attentive service. They've got pens, notebooks, magnets, hairbrushes, and mirrors with artwork. Prices are pretty reasonable. I picked up a notebook for 120 rubles.
I'm not exactly an art connoisseur, and you can call me out on it with a bunch of 'Shayn Muscat' grapes. But after visiting, I'm dead serious when I say I'll never set foot here again. If I had to wait in line for the Pushkin Museum (which, by the way, is right across the street), I'd do it in a heartbeat. At least I'd get to enjoy the experience.